Othello, Ethel Barrymore Theatre, New York, May 2025: American Dream, Part One: The End of a Love Affair
January 2026
Othello may well be the ideal play to stage on Broadway in 2025. At its core, it is a story of resentment and the insidious drip-feed of lies used to dismantle another person’s life. It serves as a potent metaphor for the current American political landscape, reflecting the corrosive power of disinformation and the manipulative tactics of a self-entitled administration.
Donald Trump rose to political prominence by promoting the lie that Barack Obama was not born in the United States and was therefore ineligible to be president. He continued to exploit this ‘birther’ conspiracy — along with a host of other falsehoods — to manipulate a gullible, disenfranchised, and disillusioned public, weaponising fear, ignorance, and latent racism.
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Elektra, Duke of York’s Theatre, London, February 2025: Punked Out
Related Reading
Slave Play, Noel Coward Theatre, London, July 2024: Theory Takes the Stage
Harris began writing Slave Play while a student at the Yale School of Drama, this is significant, as the play is imbued with many of the talking points of American academia. In truth, Slave Play isn’t a play per se, but rather a series of vignettes tied to what feels like an academic thesis.
Elektra, Duke of York’s Theatre, London, February 2025: Punked Out
London theatre programming often feels cyclical, and at present, directors and theatres seem to be turning their gaze towards Greek tragedies. What’s driving this wave of classical Greek theatre? Perhaps directors and actors are seeking new classical challenges beyond Shakespeare.